Italian Mannerist/Baroque Era Painter, ca.1535-1612  Related Paintings of Federico Barocci :. | The communion | Luo Wei thunder family s Fulangqiesike | Barocci | Annunciation | Nativity |
Related Artists:
Adriaen Isenbrant
(between 1480 and 1490 - Bruges, July 1551), was a Flemish Northern Renaissance painter, who from documentary evidence was clearly a significant artist of his period, but to whom no specific works can be clearly documented. As hypothesised by art historians, he ran a large workshop specializing in religious subjects and devotional paintings, painting conservatively in the tradition of Early Netherlandish painting. He is believed by some to be the anonymous Master of the Seven Sorrows of the Virgin. Other art historians doubt that any works can be reliably attributed to him, and the number of paintings attributed to him by major museums has been in decline for many decades. There are only a few documentary records of his life, and some mentions in literature from his lifetime or soon after, but he cannot be documented as the creator of any surviving work; everything else consists of hypothesis. It is possible that he was born in Haarlem or even in Antwerp about 1490. It is not known where or with which painter he served his apprenticeship. He is named for the first time in 1510, when he came to Bruges and bought his burghership. In November of the same year he already became master in the painterse Guild of St. Luke and the goldsmithse guild of St. Elooi. He was later elected nine time a deacon (in Old Dutch : vinder) and twice the governor (in Old Dutch : gouverneur = treasurer) of the guild. Soon he had an important workshop, probably in the Korte Vlaminckstraat in Bruges. This was close to the workshop of Gerard David, at the Vlamijncbrugghe and the former workshop of Hans Memling. Bruges, at that time, was one of the richest towns in Europe. Rich traders and merchants ordered diptychs and portraits for personal use. Isenbrandt painted mainly for private clients. However, there were some paintings that were created without any particular commission. He had enough work to even put out work to other painters in Bruges, as a legal suit from 1534 by Isenbrandt against Jan van Eyck (not the famous one) for non-delivery of paintings he had ordered, demonstrates. He was also appointed the agent in Bruges of the painter Adriaan Provoost (son of Jan Provoost), who had moved to Antwerp in 1530. Contemporary sources therefore mention Isenbrandt as a famous and well-to-do painter. He married twice, the first time with Maria Grandeel, daughter of the painter Peter Grandeel. They had one child. After her death in 1537, he married again in 1547 with Clementine de Haerne. This second marriage resulted in two daughters and a son. He also had an extramarital daughter with the innkeeper Katelijne van Brandenburch (who was at the same the mistress of his friend Ambrosius Benson). When he died in 1551, he was buried alongside his first wife at the cemetery of the St. Jacob church in Bruges; his children inherited no less than four houses with surrounding property.
Barabas Miklos
(February 10, 1810 in Mărcuşa, now Romania - February 12, 1898 in Budapest) was a Hungarian painter. He his mostly known for his portrait paintings. He was born in Kezdimerkosfalva. He spent most of his life in Pest, where he was director of the art society from 1862 until his death. He became a member of the Parliament of Hungary in 1867. He died in Budapest.
Peter ilsted
1861-1933,was a leading Danish artist and printmaker. Ilsted, Carl Holsoe and Ilstedes brother-in-law, Vilhelm Hammershoi, were the leading artists in early 20th century Denmark. All three artists were members of The Free Exhibition, a progressive art society created around 1890. They are famous for painting images of "Sunshine and Silent Rooms", all in subtle colors. Their works reflects the orderliness of a tranquil life EC- similar to the earlier works of Vermeer. Their art was later referred to as the Copenhagen Interior School. These interiors evoke at once a sense of calm, as well as a sense of mystery. The orderly room are often viewed from behind -- causing one to wonder if the scenes are really tranquil or something else. James McNeill Whistler, Duret and important art critics were early admirers and collectors of Ilsted's work. Ilsted was Hammershoi's brother-in-law. While at first glance their work appears similar, it is in fact quite different. Hammershoi's work has an aloof austerity, in contrast to Ilsted's scenes of common life. Though sometimes Hammershoi's colorful early pictures are reminiscent of James Tissot, his work is quintessentially Danish. However, Ilsted was more of a technician, and he made considerable contributions in the field of graphic art. Ilstedes mezzotints (colored a la poupee) were very popular and important in his day. They were an innovation in the media. Ilsted exhibited his work all over Europe, in London in 1907, in Germany and at the Paris Salon. It is there that his work was first exposed to Europe's art community. Ilsted was a great success in his lifetime and won many awards and accolades for his work. He was the only member of the group to also focus on printmaking. Ilstedes achievements in mezzotints were revolutionary. Some of his mezzotints, most of which were created in black as well as color editions, are considered among the greatest ever made.